![]() Extra mushy dialogues and melodrama killed even the little bit of romance that Vidya-Emraan showed.Īnd even in this century, if a tormented woman who suffered at the hands of her husband, talks about the values and tugs at her `mangalsutra` to remind herself of her marital status, then even Alok Nath (India's sanskari father) cannot help her. And no wonder, there were a few TV stars too in the film. The movie in bits and parts looked like it was trying hard to ape Ekta Kapoor's serials. Amidst his racy cars, hotel suites, flights, and sophisticated designer suits, one cannot make much sense of him.Īnd spare us those cheesy dialogues. Emraan, who has so much potential as an actor has been completely wasted by the director. ![]() She is reduced to nothing but a whimpering cry baby. ![]() It is Vidya's character that has left me the most disappointed. The saving grace is the music and the soulful songs - the only things that connect with the audience. It is difficult to connect with Vasudha's pain or Aarav's love that he holds for her. True, that the movie is a romantic, emotional drama, but every bit of emotion comes across as fake. The storyline is simply empty and has nothing fruitful to offer. ![]() Apart from the chunks of overdone filmy dialogues and over emotional mess, one is bound to seriously wonder what went wrong with the story? There is a twist in the movie, but alas! Nothing which is concrete or logical at the end. But how can our clichéd Bollywood film just have a simple happy ending? It has to drag and drag and how! Just when everything was sorted for our 'tear jerking' heroine, Mr lost Hari comes back complete with his familiar over-possessive, jealous, ego-eccentric avatar, who cannot stomach the fact that his wife has the audacity to fall in love with another man forget the fact that he had tortured her when together. ![]()
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January 2023
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